{"id":1623,"date":"2016-08-11T21:54:09","date_gmt":"2016-08-11T21:54:09","guid":{"rendered":"http:\/\/www.antonioguanti.org\/?page_id=1623"},"modified":"2016-08-26T07:57:44","modified_gmt":"2016-08-26T07:57:44","slug":"coro-femminile-floreos","status":"publish","type":"page","link":"https:\/\/www.antonioguanti.org\/en\/choirs\/coro-femminile-floreos\/","title":{"rendered":"Coro Femminile Floreos"},"content":{"rendered":"<p><\/p>\n<h3><img decoding=\"async\" style=\"margin-right: 5px; margin-left: 5px;\" src=\"http:\/\/www.antonioguanti.org\/wp-content\/uploads\/2013\/03\/Flag_of_Italy.png\" alt=\"Flag_of_Italy\" width=\"27px\" height=\"18px\" \/>Italy &#8211;\u00a0Roma<\/h3>\n<figure id=\"attachment_1609-2\" aria-describedby=\"caption-attachment-1609-2\" style=\"width: 540px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.antonioguanti.org\/2016-competitors\/attachment\/3-foto-floreos\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1609 size-large\" src=\"http:\/\/www.antonioguanti.org\/wp-content\/uploads\/2016\/08\/3-foto-floreos-1024x479.jpg\" width=\"540\" height=\"253\" srcset=\"https:\/\/www.antonioguanti.org\/wp-content\/uploads\/2016\/08\/3-foto-floreos-1024x479.jpg 1024w, https:\/\/www.antonioguanti.org\/wp-content\/uploads\/2016\/08\/3-foto-floreos-300x140.jpg 300w, https:\/\/www.antonioguanti.org\/wp-content\/uploads\/2016\/08\/3-foto-floreos-768x359.jpg 768w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><figcaption id=\"caption-attachment-1609-2\" class=\"wp-caption-text\">Coro Femminile Floreos<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">The Female Choir Floreos was born in Rome in 2000, directed for 15 years by Maria Silvia Merlini.<br \/>\nIn September 2015 Federico Incitti, former vice-director (2009-2011), was named Artistic Director. Under his lead, Floreos performed first at the Conservatory of Trento (October 2015) with a programme entitled \u201cSeasons of Love\u201d including pieces from Renaissance, Romanticism and contemporary age. After that, Floreos selected some pieces of this repertoire and competed for the 32nd National Choir Competition \u201cGuido d\u2019Arezzo\u201d, resulting as winner of the 3rd prize in the mixed choir, equal voices and vocal groups categories (on 12 competitors).<br \/>\nIn the past the choir obtained important aknowledgments: 1st prize in the Regional Competition \u201cCitt\u00e0 di Formello\u201d in the XX and XXI music category (June 2009) and 1st prize in the National Competition of Zagarolo (June 2007).<br \/>\nFloreos always performed intensely both in Italy and abroad, particularly in Germany and Hungary. In May 2006 Floreos performed in the Church of the Artists in Rome and soon after in Warsaw with a program based on the Holy Week, alternating a cappella performances with sax improvisations by Ilda de Bonis.<br \/>\nThe choir applies for the 6th International Choir Competition \u201cAntonio Guanti\u201d with a programme entitled \u201cEt rami eius pullulant, musical journey between death and rebirth\u201d. The authors are: Tom\u00e1s Luis de Victoria, Robert A. Schumann, Vic Nees, Pier Paolo Scattolin adn Gy\u00f6rgy Orb\u00e1n.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Italy &#8211;\u00a0Roma The Female Choir Floreos was born in Rome in 2000, directed for 15 years by Maria Silvia Merlini. In September 2015 Federico Incitti, former vice-director (2009-2011), was named Artistic Director. Under his lead, Floreos performed first at the Conservatory of Trento (October 2015) with a programme entitled \u201cSeasons of Love\u201d including pieces from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":686,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1623","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/pages\/1623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/comments?post=1623"}],"version-history":[{"count":4,"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/pages\/1623\/revisions"}],"predecessor-version":[{"id":1707,"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/pages\/1623\/revisions\/1707"}],"up":[{"embeddable":true,"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/pages\/686"}],"wp:attachment":[{"href":"https:\/\/www.antonioguanti.org\/en\/wp-json\/wp\/v2\/media?parent=1623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}